Izotope rx review

Published July By Mike Thornton Izotope are the latest developers to release a suite of tools for tackling problem audio. As well as the usual noise—reduction algorithms, RX also includes clip reduction and an advanced ‘spectral repair’ module. RX contains five modules: At launch it was a stand—alone product only, but Izotope have since released an update that brings these modules into digital audio workstations as plug—ins. In Pro Tools, which I used for this izotope rx review, you can set up the plug—ins in RTAS mode, copy the settings across to the Audiosuite version and render the files, so taking the load izotope rx review the system and making the Session playable on other systems without the plug—in.

Review: iZotope RX 6, Cutting Edge Audio Repair Tools

izotope rx review

Without certain tools you would find it near impossible to restore and use audio that was captured on location. I originally got the standard iZotope RX, and began working on my project with the Denoise and the Declip plugins.

There was a scene filmed in a club with a jazz band playing that was delivered to me with audio levels pinned through the roof. The audio was completely destroyed by massive amounts of digital distortion that no amount of standard EQ and compression was going to smooth out and restore to a natural wave curve.

Pro Tools and Sonar and added it to the audio track of the club scene. After a minute of trying the presets and then working with the threshold levels, I had a completely natural sounding restored audio track. The same wave file after basic processing with the iZotope RX3 Declip plugin.

Notice the top of the curves have been redrawn to replicate a natural audio wave curve. No more distortion.

Anyone who who has tackled audio post production for a film will tell you their nightmare stories. Watch closely and you will see that nervous tick start in the corner of their eye, and their fists start clenching erratically. And for some reason the actor that spoke those lines is unavailable to come in and do ADR. Well this is where iZotope RX Advanced really stands out, and this was the functionality that made me upgrade from the standard version to the advanced.

The price is painful, but once you start really using it the value becomes clear. The crazy part is that you can copy and paste the transients in the upper spectral range from a clean area to another in the timeline thus maintaining the general ambiance of the whole dialog track. It is like Photoshop for sound.

Not only can you cut and paste audio from one section of the timeline to another, but you can cut, paste, or remove transients from within the spectral range.

This 15 minutes of fiddling in RX saved me the two hours of set up, explanation to the actor, and tracking that it would have taken to ADR that dialog. When I realized how much time and frustration this software had saved me I jumped up, cheered, ran around my control room shouting, much in the way the alchemist would when he finally figured out how to turn lead into gold.

After I settled down again, I saved the now repaired audio, closed down iZotope RX, dragged the audio file back into my DAW and dropped it back into the timeline right on top of the old file. So simple, so elegant. Another big problem with location audio is that often the room sound that is captured has waaaaay too much reverb in it.

Luckily the crafty buggers at iZotope thought about this problem too. With some careful adjustments to settings I was able to remove the boomy quality of the room, enhance the vocal so that it sounded more up front, but still natural, and save myself tons of ADR and foley work again.

An extremely well thought out feature of the iZotope RX and RX Advanced is that they both have unlimited undo history, and compare functionality. You can come up with settings that you like, hit compare, and it makes a file entry. Now play with more settings and hit compare for every incremental change you make. Then you can demo each separate compare file to see which one you like best, and either process the audio then, or keep fiddling until you have exactly what you want.

You can just play until you are happy with no fear of messing up your original audio and not being able to go back. The Dialog Denoise plugin available with the advanced version is another story. This advanced plugin was much more powerful and quickly got me to my goal. This was one of the main reasons that I chose to upgrade to the full advanced version.

The iZotope RX standard version is a powerful tool with a lot of features, but to be truthful, it will leave you wanting more. You will be scratching at your wallet and peering into your bank account to see how quickly you can upgrade to the RX Advanced version, and hoping for more functionality. I think they designed the tiers of the software that way intentionally. Get you in the door for short money, and once you are hooked, make you fiend for the full functionality and power.

I assure you the advanced version is worth it. If you have experience with the iZotope RX or other audio post production software, please share your thoughts in the Comments section.

RX and RX Advanced

As well as the usual noise-reduction algorithms, RX also includes clip Izotope RX In Pro Tools, which I used for this review, you can set up the plug–ins in. It’s no secret that iZotope’s series of RX de-noising and waveform editing products have dominated the market for several years. They are the.

VIDEO: Izotope Rx Review

In each major update, iZotope adds unique new tools that make its RX audio repair and editor software even more powerful. RX 7, the most. RX Advanced is iZotope’s flagship audio-correction/fixing application. A couple of versions ago, the app became a true editor with the ability to.

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